Broken Beat

topic posted Thu, May 6, 2004 - 1:36 PM by  Unsubscribed
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A friend of mine claims Broken Beat evolved from Trip Hop but I'd argue its lineage is more Acid Jazz. Anybody want to stage a debate?
My set always includes Bossa, future soul and broken beat and childe, it always sounds smooth!
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  • Re: Broken Beat

    Thu, May 6, 2004 - 2:27 PM
    I think it was a house/bossa/hip hop thing.. trip hop that I know is way to slow and sullen to sprout wings and morph into Seiji, etc.

    Do you have any sets online.. would love to hear one.
    • Unsu...
       

      Re: Broken Beat

      Tue, May 25, 2004 - 1:58 PM
      this one's not quite broken but check it out nonetheless...

      www.outermind.org

      thanks for checking in! if you are sf, come by the 02 bar 1st and 3rd sundays.
      • Re: Broken Beat

        Tue, May 25, 2004 - 2:32 PM
        i might even say it has jungle roots.
        • Re: Broken Beat

          Tue, May 25, 2004 - 6:45 PM
          its got plenty of roots but I don't think trip-hop is one of them.
          Let's see... mmm .. Portishead... Bugz in the Attic.. of course..how could I miss it!..LOL

          J
          • Re: Broken Beat

            Wed, May 26, 2004 - 8:50 PM
            don't forget smith & mighty!! d&b, 2-step, dub, trip-hop... they are the missing link to everything, it's da bass mon!

            seiji's an old d&b producer, as is dego (4hero)
            kaidi tatham (aka agent k) used to play with herbalizer, so there's your trip-hop link...

            actually, i'm gonna be up in sf THIS saturday @ the o2 bar and i'll play some broken-beat along w/other things...

            online set:
            www.brokenbeatradio.com/bb_radio.html (nov. 25, 2003)
            • Re: Broken Beat

              Thu, May 27, 2004 - 4:29 PM
              and Jazzanova.....
              • Re: Broken Beat

                Fri, May 28, 2004 - 1:45 PM
                my bumper sticker idea:
                "I break for breaks"
                • Re: Broken Beat

                  Fri, June 11, 2004 - 2:24 AM
                  Lets not forget the afro beat influence either. I hear it in there as well as a latin influence coming through strong in most broken beat. Then there is the jazz funk influence(the precursor to acid jazz) that is a big influence as well. Another influence that is there in an almost subliminal way is early eighties boogie(that magicaly syncopated pre-house midpoint between disco, electro, and jazz funk). Many of the West London cats involved were heavy into boogie. There is an article in last months grand slam mag about the broken beat scene and this fact was mentioned. Really though I think the beauty of broken beat is that it has no singular point of origin/set of influences. The artists creating it have way to broad a range of influnces to make any such claim. BB is a radical new combination of elements from artists who have been paying attention to what has made all these other styles(d&b, soul, afro beat, jazz funk, dub, boogie, etc.) work so well. They have found creative ways to summarize the best parts of these other styles and in doing so are creating an entirely new genre. Also I think BB is a strong reaction to the complacently stagnant and linear rhythm's of house and trance, as well as the lethargic tempo of hip hop. Much of Broken beat has the rhythmic complexities and dynamics of drum and bass but refined to a more dance floor friendly tempo. This makes bb the next logical step in the evolution of dance music. At the same time it is also a step into the past to reclaim what has been missing from dance music lately-odd time signatures and dense polyrhythms that have more to do with non western tribal drumming and ritual than they do trendy dance clubs. But that decentralized polyrhythmic groove of broken beat is more than just a new groove. It is the sound of a world in flux. A world remembering just how dynamic and free it truly is. A world expressing itself in a thousand ways all at once and getting more efficient at such expression in each unfolding moment. No rules, no format, just new ways of experiencing ancient rhythms and bringing them back into the collective conscience. BB is like a new way of living and looking at life. Its a new mode of perceptual experience. As old structures break down, new modes of being, dancing, and seeing will arise to fill the void. New rhythms of Life for a new world. I think BB is quite possibly the first new musical form of the 2st century.
                  • This is the maximum depth. Additional responses will not be threaded.

                    Re: Broken Beat

                    Fri, June 11, 2004 - 2:49 AM
                    define "boogie" as mentioned in said article.
                    is there a link to the article?
                    • Re: Broken Beat

                      Fri, June 11, 2004 - 4:31 AM
                      The link to the mag is www.gsmag.net/. One of the best mags ever for funky/soulful music. Unfortunately I don't think you can get to the article itself but at least you can see the cover so you can look out for it. The article was a nice intro to broken beat and had a good list of BB movers and shakers. As for defining boogie, that term caught me unawares when I first heard it. At first a friend of mine used it and I thought it was just something he made up and then I realised it was the term used for much of the early eighties stuff I already had and loved so much. The best definition I could give is the one I gave. That musical midpoint between jazz funk, disco, and electro. Really I think what it was was basically funk that was really souped up and refined for the post disco dance floor. A little slower than disco, way more syncopated, lots of extended dance mixes, more low end, lots of synths/electric drums, instrumental/dub versions, etc. Artists like Feel, D-train, One way, early Paul Hardcastle, etc. That Wally Badarou cut "chief inspector" would probably be considered boogie by some. Some of the best boogie was on Prelude. You may know all this already, deep as you go. The article(actually someone quoted in the article, I think it was I.G. Culture but I can't remember for sure) mentioned the term "boogie" in passing as being a somewhat unifying bb influence. They did not list any specific artists(other than Roy Ayers) though as being predominant influences on the bb scene. As for the origins of the term, I'm a bit in the dark on that. I think that term boogie may have been more prevelant in the U.K. than in the U.S., thus the reason it is not heard so much here. It is a bit nebulous, that one. In the end music is music and labels are labels and one should never confuse the two. Music will never be a label and a label will never be music. In any event I definitly here the influence of that early eighties era dance floor funk on much of the broken beat stuff I come across.
                      • Re: Broken Beat

                        Fri, June 11, 2004 - 4:57 AM
                        yeah, you can't get to the article--i tried already.

                        d-train i know--"you're the one for me." i can hear that kind of sound in the bugz music--do yo have the afronaught album?

                        also, it seems like they're into a sound i've loved for years myself--funk made by jazz musicians. this sound was real big in the late 70s up to the early/mid 80s. i used to particularly like the stuff w/synth bass & live drummers (e.g., michael henderson, tom browne, and lenny white/twenny-nine.)
                        • Re: Broken Beat

                          Fri, June 11, 2004 - 8:57 PM
                          Yeah thats the jazz-funk era I mentioned in the first post. The stuff you mentioned, and then cats like Roy Ayers, Lonnie Liston Smith, Blackbyrds, Donald Byrd, of course the Herbie stuff, etc. That stuff has a huge and obvious influence on BB. I think thats why it makes so much sense to me. Its like radical dance music by people influenced not by watered down electronic music but by the funky soulful albums that changed my life(anyone out there like Expansions or Everybody Loves the Sunshine?)I was just a young chillin growing up in inner city Milwaukee, WI back then but I was bombarded with those sounds on a daily basis growing up. Everybody in the hood was always rockin' their grooves. I rediscovered it about the time I got into acid jazz and I really felt acid jazz was a logical progression of jazz funk. Now Broken beat feels like a progression of both(and then some other new spices!). I don't have the afronaught album, but I got my ears on the lookout for it. Is it the oops upside yo head jammy? Oh and whats your favorite M. Henderson album? I think I have one of his and a friend threw some on a mix one time but I could use more if its worth getting. Tom Browne did Funkin' for Jamaica, correct? What else of his stuff is worth checking? I don't think I have any. Hey I got a nasty jazz funk album for ya-Have you ever heard Don Blackman's debut album(self titled)? Seek it out if not. Its amazing and its been reissued-I know the wizards at Dusty Groove keep it on hand.
                          • Re: Broken Beat

                            Sat, June 12, 2004 - 4:07 AM
                            "oops up?" sorry, that always brings up memories of the gap band...

                            i only have "wide receiver" by michael henderson--that was kind of a hit at the time. the mattel quarterback game was new and popular then, and they include some of the sounds in the tune!

                            tom browne is the "jamaica" guy. he also had a hit called "thighs high (grip your hips)" that's worth owning.